About Me
Discover the journey that led me to become a video editor and audio engineer devoted to storytelling.
Hanna Eng
Video Editor & Audio Engineer
Paris, France
After graduating from the Free Conservatory of French Cinema and working as an Assistant Director on TV productions across France and Europe, Hanna deepened her craft on set as both a visual storyteller and video editor, which naturally led to her passion for audio engineering. Her journey took her to New Zealand, where she honed her skills as an intern at one of the country's most renowned studios.
Returning to Paris, she earned her Advanced Diploma in Music Production and Sound Engineering from the prestigious Abbey Road Institute. This diverse background in both visual and audio storytelling gives her a unique perspective on how sound and picture serve creative vision. Hanna is known for her meticulous attention to detail and her ability to enhance audio and video content while preserving the original artistic intent.
Experience & Timeline
Present
Independent Video Editor & Audio Engineer
I work across a range of edits and mixes and I'm building my practice as an independent video editor and audio engineer, with clients in France and internationally.
2024-2025
Video Editor & Audio Engineer
Came back to France to join the prestigious Abbey Road Institute in Paris, for the international Advanced Diploma in Music Production and Sound Engineering from which I successfully graduated.
2023-2024
New life
Relocated to New Zealand to join one of its most renowned studios as an intern, where I developed a strong foundation in audio engineering and deepened my understanding of the craft.
2021-2023
Assistant Director
Extensive experience on TV productions across France and Europe, and collaborations with American studios.
2021
Graduated from the Free Conservatory of French Cinema
Graduated with honors as an Assistant Director with a specialization in television and film production.
My Philosophy
"The best edit and the best mix are the ones you don't notice: they serve the story, not the effect. I come from film as much as from sound, so I work picture and sound in the same hands, never as two separate worlds."
Before I touch a single setting, I listen: the material, the intent, the references you love. Only then do I decide what serves the project and what works against it. No off-the-shelf template applied blind: every project has its own constraints, and those are what I adapt to.
Your Project, Now
Got an edit to finish or sound to fix? Let's talk. I listen first, propose second, and tell you honestly what's doable.