Audio Post-Production
Audio post production from dialogue editing to a final mix at a named loudness target, conformed from your XML or AAF so nothing drifts against picture.
Dialogue editing, ADR and foley, room tone and ambiences, voiceover, iZotope RX restoration, then a Pro Tools mix to EBU R128 / -23 LUFS (broadcast) or around -16 LUFS (web), stereo with 5.1 and stems on request.
Dialogue editing, sound design and final mix
Audio post production is the stage where every sound element of a film is built and balanced after the edit: dialogue editing for clarity and continuity, ADR when a line needs re-recording, foley and ambiences to give a scene weight and place, room tone to bridge cuts, voiceover, restoration to remove what should not be there, and a final mix prepared for delivery. Having worked in film and TV as an Assistant Director, I bridge picture and sound. I edit and clean the dialogue in iZotope RX (noise, reverb, plosives, hum), build the sound around it, mix in Pro Tools to your destination loudness target, and conform straight from your XML or AAF so nothing drifts against the picture.
Every project has its own sonic personality. Whether it is a branded video, a documentary or an artistic film, I approach each one with fresh ears and a storyteller's mindset, deciding scene by scene which sounds carry the moment and which should sit back. My goal is audio that serves the narrative while holding to broadcast-ready technical standards, so the result is clean, intelligible and consistent from the first frame to the last.
My background across visual and audio production shapes how I support picture with sound, from where a cut needs room tone to how an ambience sets a location before a word is spoken. I have worked on everything from intimate interview pieces to multi-layered soundscapes, judging each foley pass and mix decision by what the scene needs.
What You Get
- Cleaned dialogue, edited for clarity and continuity
- Final mix in Pro Tools
- Noise reduction
- Foley, ambiences and room tone built around the dialogue
- ADR and voiceover edited and integrated to picture
- Conform from your XML or AAF, kept in sync with the picture
- Broadcast-ready delivery to your loudness target (-23 LUFS or around -16 LUFS for web)
Audio post production is the dialogue editing, ADR, foley and ambiences, restoration, sound design and final mix that prepare your film, documentary, short film or branded content for release. Delivered remotely worldwide and on-site in Paris, it includes dialogue editing and cleanup with iZotope RX (noise, reverb, plosives, hum), room tone and voiceover work, and a final mix in Pro Tools, stereo by default with 5.1 and stems on request, conformed from your XML or AAF and delivered to your loudness standard (EBU R128 / -23 LUFS for broadcast, around -16 LUFS for web).
At a glance
| Service | Dialogue editing and cleanup, noise reduction, sound design and foley, final mix |
| Tools | Pro Tools for the final mix, iZotope RX for noise reduction |
| Delivery formats | Stereo by default; 5.1 and separate stems on request, in the codecs your edit or broadcaster requires |
| Loudness targets | EBU R128 / -23 LUFS for broadcast and most festivals; around -16 LUFS for web and streaming |
| Conform from your edit | Send an XML/AAF and media (or a reference export); conformed and mixed to picture |
| Project types | Documentaries, short films, branded content and interviews |
| Availability | Remote worldwide and on-site in Paris |
| Techniques | Dialogue editing, ADR, foley and ambiences, room tone, voiceover, iZotope RX restoration, final mix |
Delivery formats
| Format | Availability | Typical use |
|---|---|---|
| Stereo | Default delivery | Web, streaming and most edits |
| 5.1 | On request | Broadcast and festival deliverables |
| Separate stems | On request | Re-mix and reversioning by your edit or broadcaster |
FAQ: deliverable formats
Per-project video mixing
Voiceover on background music · Audio rush management · Sound/picture sync (speeches, events, key moments) · WAV master + MP4 export
| Duration | 2 tracks | 4 tracks | 6+ tracks |
|---|---|---|---|
| ≤ 5 min | €50 | €65 | €80 |
| ≤ 15 min | €90 | €120 | €150 |
| ≤ 30 min | €150 | €210 | €270 |
| ≤ 60 min | €240 | €360 | €480 |
My Process
From raw footage to polished audio
Project Assessment
I review your footage and audio, spot the dialogue and noise issues, and flag where ADR, foley, room tone or restoration will be needed, then confirm your delivery loudness target before any work begins.
Dialogue Editing
I conform from your XML or AAF and edit the dialogue track by track in Pro Tools, cleaning noise, reverb, plosives and hum in iZotope RX, smoothing edits with room tone and integrating any ADR for clarity and continuity.
Sound Design
I build the world around the dialogue with foley, ambiences and any voiceover, layering and placing each element so it supports the picture rather than competing with it.
Mixing & Balancing
I balance dialogue, sound effects and ambiences into a cohesive final mix in Pro Tools, riding levels and managing dynamics so the result stays intelligible and consistent on the platforms you are delivering to.
Final Delivery
I deliver broadcast-ready to your named loudness standard, EBU R128 / -23 LUFS for broadcast and most festivals or around -16 LUFS for web and streaming, stereo by default with 5.1 and separate stems on request in the codecs your edit or broadcaster needs.
Ready to Elevate Your Audio Story?
Let's make your content sound as compelling as it looks.
Frequently Asked Questions
Which loudness standards do you deliver to?
Whatever your distribution needs, EBU R128 / -23 LUFS for broadcast and most festivals, around -16 LUFS for web and streaming, confirmed before the final mix.
What does audio post-production include?
Dialogue editing and cleanup, noise reduction with iZotope RX, sound design and foley, and the final mix in Pro Tools, balanced and delivered ready for your platform.
Which formats can you deliver?
Stereo by default, with 5.1 and separate stems available on request, in the codecs your edit or broadcaster requires.
What kind of projects do you work on?
Documentaries, short films, branded content and interviews, anywhere dialogue and sound need to serve the story.
Can you work from my edit?
Yes, send an XML/AAF and the media (or a reference export) and I'll conform and mix to picture.
What does dialogue editing, ADR and foley actually involve?
Dialogue editing means cleaning and assembling the spoken track for clarity and continuity, with iZotope RX handling noise, reverb, plosives and hum. ADR is re-recording a line when the original take is unusable, edited back in to match the picture. Foley adds performed sounds and, with ambiences and room tone, gives a scene weight and a sense of place.
Do you take on podcasts and other audio-only projects?
Yes. Alongside documentaries, short films, branded content and interviews, I edit and mix audio-only work such as podcasts and voiceover, applying the same dialogue editing, iZotope RX restoration and Pro Tools mix, delivered to the loudness target your platform expects.
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